All Albert Lebourg's oil paintings
ID Image  Oil Pantings, Sorted from A to Z     Other Information
54259  
Albert Lebourg, Barges at Rouen
  		Barges at Rouen mk235 1903 Oil on canvas 50x73.5cm
11498  
Albert Lebourg, Edge of the Ain River
  		Edge of the Ain River 1897 1' 7 3/4'' x 2' 1 3/4''(50 x 65.5 cm) Bequest of Etienne Moreau-Nelaton,1927
31117  
Albert Lebourg, La Seine a Croisset
  		La Seine a Croisset mk71 Toile H.0.55 L.0.81 Douai,Musee de la Chartreuse
92705  
Albert Lebourg, Le Chevet de Notre-Dame
  		Le Chevet de Notre-Dame Date c. 1900(1900) Medium oil on panel Dimensions 25 X 34 cm (9.8 X 13.4 in) TTD
67905  
Albert Lebourg, notre dame
  		notre dame 1899 se
31116  
Albert Lebourg, Pont Marie a Paris
  		Pont Marie a Paris mk71 Toile H.0.31,L.0.47 Musee de Cambrai
54177  
Albert Lebourg, Road on the Banks of the Seine at Neuilly in Winter
  		Road on the Banks of the Seine at Neuilly in Winter mk235 c.1888 Oil on canvas 50x73cm
11497  
Albert Lebourg, The Port of Algiers
  		The Port of Algiers 1876 1' x 1' 6 1/2''(31 x 47 cm)Bequest of Antonin Personnaz,1937
11496  
Albert Lebourg, Tug Boats at Rouen
  		Tug Boats at Rouen 1903 1' 7 3/4'' x 2' 5''(50 x 73.5 cm)
Albert Lebourg
Montfort-sur-Risle 1849-Rouen 1928 French painter. He had an early interest in architecture and studied under the architect Drouin at the Ecole Municipale de Dessin in Rouen. He became increasingly interested in art and through Drouin met the landscape painter Victor Delamarre (1811-68) who advised and taught him. Giving up architecture altogether, he then attended the Ecole Municipale de Peinture et de Dessin in Rouen under Gustave Morin (1809-86). In 1871 he met the collector Laperlier through whom he obtained the post of professor of drawing at the Societe des Beaux-Arts in Algiers. He remained there from 1872 to 1877, producing works such as Street in Algiers (1875; Rouen, Mus. B.-A.). He also experimented with depicting a single site in a variety of different lights, in a manner similar to the late works of Monet. After giving up his teaching post in Algeria in 1877 he returned to Paris where he attended Jean-Paul Laurens's studio from 1878 to 1880. It was at this point that he became aware of Impressionism; later he became friendly with Degas, Monet and Sisley. He first exhibited at the Salon de la Societe des Artistes Franeais in 1883 and again in 1886,



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